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아카이브
한-아세안 문화혁신 포럼
Mekong Cultural Hub
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Realities, Resilience, and transformation of
International Exchanges between ASEAN and Korea
Regarding the participation of Creative Platform for ASEAN-Korea and experiences during PAMS 2022, Jennifer will put down some of her sharing, takeaways, reflections, and suggestions to respond to the Platform’s aim of facilitating more cultural exchange and collaborations between Korea and the SEA region.
Jennifer LEE
Asian Producers’ Platform
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Shaifulbahri Mohamad
"While based in the UK and contemplating his producing practice, the following questions came to Shai’s mind, “Who do we not see on our stages? Whose stories are not being told? Where are the arts leaders who look like me?” These questions laid the foundation for his current practice exploring multidisciplinary performance-making, lesser-told narratives from Singapore and Southeast Asia, and internationalization. As a producer, he believes it is important to work collaboratively across mediums with a need to break borders and barriers. Shai also believes in arts education and provides mentoring and development opportunities for emerging arts producers. His keywords are Diversity, Opportunity, and Connectivity."
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2022 Forum
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Systemic Approaches to Implementing
Appropriate Technology in Digital Media Art
Suppose we secure appropriate technology experts based on human resources and establish an exchange system that can match them in the right place, significantly high value-added activities can be carried out effectively and efficiently.
Chang Jun Young
2020 Forum
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ASEAN-Korea Cultural Partnership
The ASEAN regions are considered as one of the most favorable travel sites for Koreans. The actual figures indicate that the ASEAN countries including Thailand, Malaysia, Bangladesh, Laos, and Myanmar are enormously favored by Koreans as tourist destinations. The fact that these countries are visited as tourist destinations means that Koreans must have had general insights on their experiences of people, cultures, linguistic characteristics, preferences, and perceptions of the regions.
Kim, Hyein (Korea Culture & Tourism Institute)
2020 Forum
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Preserving the cultural heritage with contemporary compositions
My genre is focused more in electronic music and contemporary music, but when the traditional artists put the creation into this, they also contribute their own creations and also their own cultural background into the compositions.
Tri Minh
2022 Forum
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Building Digital Art & New Media Art Community in South East Asia
Filamen is an Audio Visuals collective where it serves as a platform for all range of people who are into audio visuals to interact with each other and also help expose themselves to a public audience.
Abdul Shakir
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