The journey of AFA embarked on throughout the challenging period and will share the fresh perspectives and tools that we continue to adopt as we emerge from the pandemic.

Jo Ann Bitagcol’s journey as a visual artist saw a seamless shifting from muse to lens woman and later, a designer under her namesake brand, BITAGCOL. Following a stellar career as a fashion model, she found her place behind the lens.

Established in 2011, Lao New Wave Cinema Productions (LNWC) is co-founded by a collective of young filmmakers and artists in Lao PDR. LNWC’s first aim is to change the face of the Lao movie community and support young people who are passionate in filmmaking to make films.

I realize what I learned from traditional art with what I’m doing now with digital art shares the same creative process, and same aesthetic root.

sounds perhaps a little dystopic in regards to the highest social media usage, it does also point towards a growing data literacy and web literacy sort of demographic, which is really ushering in this, they call it the “Golden Demographic”, where the majority of the population is younger.

We saw a lot of gamification and digital works as we open up. Particularly, for examples such as the National Heritage Board, they have gone ahead over this period of 18 months to actually commission and also appoint more and more creators to explore creations in AR, VR and even games, as well.

Meet the stories of ASEAN-ROK experts who are creating new chances and growing by focusing culture and technology.

The Cultural and Creative Industries (CCI) sector is seen as a driving force for economic growth in many countries in South-East Asia.

ASEAN is a large market with a wide range of potential for innovation and capabilities, and it’s a community in which diverse Asian sentiments exist. Hence, I think ASEAN is a very powerful coalition.